This fast-moving comedy follows art director Kyle as he tries to discover his real self amid the power struggles and skewed priorities of a New York ad agency. After an office restructuring puts him in a new creative group run by the homophobic Kate, he finds an unlikely ally in copywriter Dodo, a living-legend from the era of “Mad Men,” who not-so-gently prods Kyle to the realization that “It’s time to take off. And soar.”"
FRESH FRUIT AWARDS OF DISTINCTION for Outstanding Play and Outstanding Production
One of the top recommended Full-Length Plays on New Play Exchange
Published by Smith Scripts UK: The Fierce Urgency Of Now
NOW A RADIO PLAY: https://freshfruitfestival.com/aoanet_21/
...full of richly drawn characters and excitement that grows from integrally drawn relationships."
– Louis Lopardi | Executive Director, The Fresh Fruit Festival
"Doug writes with searing honesty and an exquisite blend of caustic wit and a big heart. As an actor it's pure joy to inhabit his characters."
– Carole Monferdini | Actor / The Fierce Urgency Of Now, Phillie's Trilogy, NELL DASH
"...a rapid-fire, well-timed character study filled with terrific one-liners, deep and even tearful relationship moments, and sage wisdom for the texting generation."
– Evan Meena | Outer-Stage
"The writing is fresh, funny, and smart without striving for hilarity. It hits where it's meant to hit."
– Nancy Worssam | ArtsStage-SeattleRage
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COMEDY / DRAMA
RUNNING TIME: 90 minutes, no intermission
CAST: 3W, 2M, + 2 Voice Overs / INCLUSIVE CASTING POSSIBLE
MULTIPLE LOCATIONS / CAN BE PERFORMED ON A UNIT SET
SOME PROFANITY AND SEXUAL SITUATIONS
Kyle | Matthew Jellison
Dodo | Carole Monferdini
Kate | Teresa Kelsey
Neil | Steve Hauck
Meryl | Paloma Pilar
THE FIERCE URGENCY OF NOW © 2014 Doug DeVita. ALL RIGHTS RESERVED. THERE CAN BE NO PRODUCTION OF ANY KIND, INCLUDING BUT NOT LIMITED TO READINGS, WITHOUT SPECIFIC WRITTEN PERMISSION. Caution: Professionals and amateurs are hereby warned that The Fierce Urgency Of Now is subject to royalty. It is fully protected under the copyright laws of the United States of America. All rights, including but not limited to professional, amateur, film, radio, and all other media (including use on the worldwide web) and the rights of translation into foreign languages are strictly reserved; and any unauthorized use of the material may subject the user to any and all applicable civil and criminal penalties.